Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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cornelis cornelisz
The wedding of Peleus and Thetis

ID: 70425

cornelis cornelisz The wedding of Peleus and Thetis
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cornelis cornelisz The wedding of Peleus and Thetis


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cornelis cornelisz

(1562-1638). Dutch painter  Related Paintings of cornelis cornelisz :. | A monk with a beguine | The Wedding of Peleus and Thetis | The Good Samaritan | De maaltijd van de officieren van de Oude Schutsdoelen | tidens spegel |
Related Artists:
Bernardo Zenale
Italian Painter , ca.1436-1526
CARPIONI, Giulio
Italian painter, Venetian school (1613-1674)
Ernest Duez
1843-1896 French Ernest Duez Location French painter. He studied under Isidore-Alexandre-Augustin Pils and made his debut at the Salon in 1868. One of his earliest paintings, The Honeymoon (1873), caused a scandal at the Salon owing to its depiction of two lovers in modern dress walking through a sunlit forest. His triptych St Cuthbert (1879; Paris, Pompidou) was hailed as a masterpiece of modern art and bought by the State for the Musee du Luxembourg in Paris. The painting depicts the stages of St Cuthbert life, from child to hermit. Contemporary viewers were struck by the artist use of a real landscape setting, based on Villerville in Normandy where Duez spent much of his time. In addition to genre, religious and history paintings, in 1876 he began to produce portraits: Alphonse de Neuville (1880; Versailles, Cheteau) is a typical example. His brooding, suggestive portrait of Mme Duez (1877; see Montrosier, 1896, p. 429) shows the influence of Symbolism. However, he soon returned to painting works that were essentially landscapes, such as the decorative panel Virgil Seeking Inspiration in the Woods (1888) for the Sorbonne and a pair of allegorical figures, Botany and Physics (1892), for the Hetel de Ville in Paris. He also devoted time to applied art, producing a variety of textile designs. His work was praised for its adept use of colour and for bringing what were seen as modern techniques to traditional subjects.






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